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Propellerhead Reason 2.0 Software Synth Macintosh and Windows
Mac OS X Support Reason 2.0 fully supports the Mac OS of the future. Malström Graintable Synthesizer A unique, polyphonic Graintable synthesizer with unheard of filtering and routing powers. The baddest boy on the block. Malström, now an integrated part of Reason, creates its otherworldly sounds using Graintable technology. Never heard of it? Neither had we, we had to invent it. This technology is a cross between granular synthesis and good old wavetable synthesis. And the result? You'll just have to hear it to believe it. The Malström Graintable synthesizer features all imaginable filtering and modulation options, and a couple of unimaginable ones too; Try some real-time waveform stretching, some spectral modulation, or some awesome wavetable sweeping. Malström comes with a wide range of meaty and exotic Graintables, letting you create anything from lush pads to scary squeals, from the pretty to the gritty. And that's just the sounds coming from Malström itself; try using this monster's audio inputs to filter other Reason devices, and let some of Malström's magic rub off on your drums or sampled vocals. With a device like this, no one can accuse your sound of being ordinary. What's Graintable Synthesis? Sure you want to know how Graintable synthesis works? Ok, here's the academic explanation. Graintable synthesis is neither granular nor wavetable synthesis but a combination of the best of both methods. The results are exciting, controllable, and texturally extremely varied. The basis of a Graintable is a sampled sound, which has been pre-processed using an extremely academic and complex method. A whole leaflet would be needed just to describe this. Suffice to say, the result is a perfect set of periodic waveforms that, due to the pre-processing, can be manipulated in a variety of ways. The Graintable can be treated as a wavetable: sweep through it, move through it at any speed without affecting pitch, play any little section repeatedly, use it to pick static waveforms, jump between positions, etc. Granular tricks can also be performed on the Graintable. One of those tricks is the Shift function, which uses resampling to manipulate each grain in order to shift the formant of the Graintable through the harmonic spectra without altering the pitch. The Index parameter controls the position in the Graintable currently played. Sweeping the Index is being done by using real-time controllers or modulation and can be a powerful way of adding life to a sound. Furthermore, each Graintable has a built-in motion that sweeps the table according to pre-specified criteria depending on the Graintable used. In its most basic form, Motion simply controls the speed of the Graintable playback but also controls how a waveform is looped etc. What does this mean musically? Well, imagine a sampled stack of detuned sawtooths, really thick, with chorus. By controlling sweep speed you control the fatness (down to the sound of one sawtooth). Or imagine a voice Graintable where you can extract any vowel, sweep back and forth, and modulate the harmonic content. Cool, isn't it? Yes its cool, but first and foremost musical. Graintable synthesis makes Malström a truly uniquely sounding synthesizer, ready to add a little uniqueness to your music. The Orkester Sound Library Massive orchestral ReFill for the new NN-XT. Pristinely recorded and dying to be played. Recorded in prestigious Atlantic Studios in Stockholm, these sample patches feature live, classically trained musicians who have been told to get into the groove. Because more than anything else, this is a sample library for you Reason users, and designed to blend in with the sounds from Reason's other devices. These slick samples will sound magical on everything from your Drum 'n' Bass to your next film score, and fit like a glove on your Hip Hop and R 'n' B. The Orkester NN-XT Sound Library spans from single woodwinds to complete string sections, and covers all essential playing styles. Add some percussion and tremolo strings to that and you have a library that will last you a lifetime. Detachable Sequencer Reason's main sequencer can now be pulled out of the rack and placed anywhere on the screen. Great things come to those who wait; In Reason 2.0, the main sequencer breaks free from the rack and starts a life of its own, in a separate, detachable sequencer window. All you need to do is pull it out of the rack and it will expand across your computer screen. Now you're free to move it around and customize it or resize it as you desire. If you're blessed with two monitors, just drag the sequencer to your extra monitor, and enjoy the benefits of having a virtual studio on one screen, and a lightning fast sequencer on the other. For your convenience, they have expanded the sequencer toolbar and added some new tools. This is to make your work with this already super-fast sequencer even faster: The Zoom tool takes care of your in and out zooming, the Line tool is for fast, accurate linear editing of automation and velocity, and the Eraser is for quick deletion of unwanted objects. NN-XT Advanced Sampler An easy to use, but highly advanced sampler for heavy-duty programming. Deep sampling without the confusing sub-menus. Ever wanted a sampler with a PhD in flexibility? A sampler that's as advanced as any pro machine, but user-friendly and inspiring. The NN-XT is that sampler. Reason 2.0 ships with a new sampler screwed into the rack. Propellarhead calls it the NN-XT. This is a highly advanced sampler with an impressive list of features and functions squeezed into it. Where the NN-19 is a "fast-track" sampler, this machine is for more demanding sampling tasks. The NN-XT is bursting with detailed programming options, but comes with an intuitive user interface, making it the perfect tool for both sound design and life-like instrument emulation. Just load up one of the included orchestral library patches, and you'll know what we're talking about. The NN-XT is packed with useful features to help you build your own stunningly realistic instrument patches: alternate sample playback, auto-pitch detection, zones with individual parameters, and much more. But don't think for a minute that instrument emulation is all this thing is good for — the filters, the envelopes, and the tempo syncable LFOs let you perform some crazy tricks on whatever material you put in there. All in all, the NN-XT is probably one of the most flexible samplers around, and when we say probably, we mean definitely. With the editor folded in, only the most useful parameters are visible, for instant tweaking and automation.
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Propellerhead Propellerhead Reason software synth Propellerhead Strings Refill Library for Reason (Macintosh and W Propellerhead Reason Drum Kits Refill Propellerhead Reason 2.0 Software Synth • Propellerhead • Add Comment or Question • Write a review!
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