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Steinberg new Cubase SL3 Music SoftwareSteinberg unveiled its upcoming update for its Cubase SX3 and Cubase SL3 music production systems. Cubase SX/SL 3.1 offers new features and capabilities including full integration of external hardware instruments and effects including Studio Connections Audio integration, support for Steinberg’s Dolby Digital and DTS Encoders and expanded editing and mixing functions. The update will be available for download in August 2005.“We believe in providing excellent value for our customers by regularly updating our Cubase SX and SL applications with new features at no extra cost,” comments Arnd Kaiser, Steinberg’s Senior Product Manager for Music Technology. “The long list of both new features and smaller workflow enhancements make for a great update for all Cubase SX and Cubase SL users,” Kaiser continues. Among the new features coming to Cubase SX with the 3.1 update is the latest stage of the ongoing Studio Connections collaboration between Steinberg and Yamaha. This innovative technology allows the seamless integration of Yamaha hardware in Steinberg host applications. Studio Connections II: Audio Integration allows convenient monitoring and mixing of Studio Manager devices just like VST instruments in the Cubase SX VST audio mixer. Other external instruments not supported by Studio Connections can be integrated just as easily. Also new to Cubase SX 3.1 is the ability to control external hardware effects via MIDI, giving full control over external effects hardware from within Cubase SX. Cubase SX 3.1 now includes support for Steinberg’s optional Dolby Digital and DTS Encoder plug-ins, opening these world-standard formats to all Cubase SX users. Additional processor optimization means that Cubase SX/SL 3.1 supports not only Mac and PC multiprocessor systems but also the latest AMD and Intel DualCore processors as well as Hyperthreading and DualCore over dual processors. This puts the considerable performance increases these technologies allow fully within the grasp of professional musicians and producers using Cubase SX and SL. Further additional new mixing features in Cubase SX and Cubase SL include a new “Equal Power” panner, a new set of mixer key commands and extended copy functions for mixer channels. MIDI output delay compensation means that proper timing is maintained even when using external MIDI instruments that are mixed through the VST audio mixer. “Freezing” of MIDI track playback parameters allows quick and easy rendering of playback parameters into MIDI data. Top-10 new features of Cubase SL3 Audio Warp: Realtime Time Stretching and Pitch Shifting offer extensive new audio editing and processing capabilities, including ACID File support: loops automatically adopt a project’s tempo; audio files can follow tempo changes in realtime. Intuitive Play Order Track for pattern-based arranging adds a new level of creative music editing. Divide your song into sections, and then re-arrange it on the fly. Compare alternative versions of your song and then convert them back into a linear form for mixdown and mastering. User-definable Workspaces (window layouts) help organizing your desktop. Create and save a separate workspace for each step of the production process. Switch Workspaces on the fly, as if working on multiple computers or monitors. Extended Freeze function for virtual instruments and audio tracks with added flexibility and improved performance. Freeze virtual instruments with or without insert effects. Then automatically unload the instrument to free up RAM. Freeze audio tracks with insert effects to free up even more CPU performance. New part-based Volume Envelopes for direct control of dynamics. Fix level problems on the fly without wasting automation tracks. Then move events with their volume envelopes. User-definable Color Coding for tracks and VST mixer channels provides more clarity and better orientation – especially in complex projects. SL3’s Extended Track Inspector now offers direct access to a VST Instrument’s audio channel strip directly from the MIDI track inspector. In fact, it puts both the MIDI and audio channel’s parameters into one single column making it more accessible and easier to use. When a song is transferred between systems, all plug-in and virtual instrument links stay intact even when some of them are missing on another system. A so-called Dummy Plug-in replaces missing plug-ins until the project is opened on the original system and the plug-ins are back in place. Ever lost a great idea because you forgot to hit “Record”? With Audio Pre Record this will never happen again! Simply set up the amount of time for pre-recording (up to 10 minutes) and whatever you play within that window will be recorded into any record-enabled track – before you actually hit record. A redesigned and overall improved Hitpoint Detection Algorithm now offers more accurate results and easier handling. Choose between presets for different types of audio material or apply Q-points to Hitpoints for more accurate quantization and warping. + Post comment/question/reply
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