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DBX 376 Tube Channel Processor
It's Time to Change the Channel! The standard of excellence for channel strip processors has just been raised once again. From the world leader in digital signal processing comes the new 376 Tube Channel Processor with digital output capabilities. dbx ¬ Professional Products has been paving the way for audio excellence for more than 25 years, and with the creation of the 376, the drive continues. The 376 has taken the essential tools needed for channel strip processors and has greatly added to the feature list, making it an all inclusive toolbox that offers all of the effects required. With an effect menu list that includes such standard features as: a tube preamp section, 3-Band parametric EQ section, Compressor, De-Esser, and digital outputs, the 376 is the perfect companion piece for recording and tracking vocals and mic'd applications in the analog and digital domain. The 376 Tube Channel Strip with Digital Output is the latest addition to the Silver Series family. The 376 puts the best of both worlds into one affordable package by combining the warmth of the vacuum tube, with the proprietary dbx ¬ Type IVœ conversion system. The 376 boasts many of the same features as other products in the Silver Series, such as +48V phantom power, a phase invert switch, and low cut filtering. In addition, the 376 also offers digital output capabilities in both AES/EBU, and S/PDIF formats as standard features. The high impedance, 1/4" instrument input located on the front panel, as well as the mic/line switch and 20 dB pad, show the company's dedication to providing convenience in the studio. The LED meters provide a clear and concise visual of the signal processing at a glance. The rear panel includes both mic and line inputs and outputs, word clock sync input and output, insertion jack, and digital outputs. Add selectable sampling rates of 44.1 kHz, 48 kHz, 88.2 kHz, or 96 kHz; selectable dithering and noise shaping; and separate analog and digital output controls to this already impressive list of features, and we think you'll agree that the 376 lives up to the uncompromising standards of dbx Professional Products. 376 Tube Channel Processor Features• Tube microphone pre-amp• 200V tube plate voltage • Selectable mic/line switch • +48 Volt phantom power • 3-Band Parametric EQ • Compressor • De-Esser • Front panel instrument input • Drive meter LEDs • Threshold and De-Esser meters • 8 segment analog or digital meter • Type IVœ conversion system • Selectable sampling rates (96, 88.2, 48,44.1kHz) • 24-, 20-, and 16-bit wordlengths • AES/EBU and S/PDIF digital outputs • Selectable dither and noise-shaping algorithms • Word clock sync input and outputTechnical Description • Connector: Female XLR Pin 2 Hot • Type: Electronically balanced/unbalanced • Impedance: 330 ohm • Maximum Input Level: -9 dBu or +11 dBu with 20 dB pad engaged • CMRR: >40dB, Typically 55dB • Equivalent Input Noise: Typically -120 dBu with a 150ohm source load, 20Hz to 20kHz BW • Line Input (Rear Panel) • Connector: TRS 1/4" Jack • Type: Electronically balanced/unbalanced • Impedance: 20kohm unbalanced, 40k ohm balanced • Maximum Input Level: +21dBu balanced or unbalanced • CMRR: >40dB, Typically 55dB • Gain (Drive Control) -15dB to +15dB • Instrument Input (Front Panel) • Connector: TS 1/4" Jack • Type: Unbalanced • Impedance: 470 k ohm • Maximum Input Level: +21dBu unbalanced • Analog Outputs • Connector: Male XLR Pin 2 Hot and TRS 1/4" • Type: Servo-balanced/unbalanced • Impedance: Balanced 120 ohm, unbalanced 60ohm • Maximum Output Level: >+21 dBu, >+20 dBm (into a 600 ohm load) • Insert • Connector: TRS 1/4" • Type: Unbalanced • Impedance: 100 ohm (SEND), 20k ohm (RETURN) • Digital Outputs • Connectors: XLR for AES/EBU • RCA for S/PDIF • Impedance: 110 ohm for AES/EBU • 75ohm for S/PDIF • Word Sync Input/Output • Connectors: BNC • Input Impedance: 75ohm terminated by internal jumper • Input: 96, 88.2, 48, or 44.1kHz word clock • Output: 96, 88.2, 48, or 44.1kHz word clock • System Performance • DRIVE Control Range: +30dB to +60dB for Mic Input, -15dB to +15dB for Line and Instrument Inputs • Output Level Control Range -20dB to +20dB • LINE: Selects between microphone and line inputs • Phantom Power: +48V • PAD: 20dB pad • PHASE: Reverses pins 2 and 3 of the microphone input XLR • LOW CUT: 75Hz, 12dB/octave high pass filter • Analog Frequency Response: Equalizer • LOW Frequency: 80 Hz, shelving filter • HIGH Frequency: 12 kHz, shelving filter • MID Frequency: Sweepable from 100 Hz to 8 kHz, bandwidth 1.5 octaves • Gain (all bands): Sweepable from š15 to +15 dB • Compressor • Threshold Range: -40 dBu to +20 dBu • Threshold Characteristic: Selectable OverEasy or Hard Knee • Compression Ratio: Variable; 1:1 to Infinity:1; 60 dB maximum • Compression • Attack Time: Program-dependent; Typically 5 ms (SLOW disabled), 15 ms (SLOW enabled) for 15 dB Gain Reduction • Release Time: Program-dependent; Typically 50 dB/sec (SLOW disabled), 8 dB/sec (SLOW enabled) • De-Esser • Characteristic: Wideband gain reduction • Frequency Range: 800 Hz to 10 kHz High Pass • Release Time: 12 dB/octave program-dependent; approximately 1 ms/dB • Analog to Digital Conversion • Type: dbx Type IV(TM) A/D Conversion System • Sample Rate: 96, 88.2, 48, or 44.1kHz selectable • Wordlength: 24, 20, or 16 bit selectable • Dither Type: TPDF, SNR2, or none • Noise Shape: Shape 1, Shape 2, or none • Output Format: S/PDIF or AES/EBU • Converter Dynamic Range 107dB typical, A-weighted, 22kHz bandwidth • Power Supply • Operating Voltage: • DO: 120VAC 60Hz, 100VAC 50/60Hz • EU: 230VAC 50/60 Hz
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