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Apple 30 Inch Cinema HD Display$ 2999.95, Apple 23 Inch Cinema HD Display$ 1499.95, Apple 17 Inch Studio Display$ 599.95, Apple 20 Inch Cinema Display$ 799.95, Galaxy Audio CM130 Checkmate Sound Level SPL Meter$ 49.95, Behringer DI20 Ultra-DI 2-Channel Active DI Box/Splitter$ 24.99, Proel SPL150 Keyboard Stand$ 35.95, Proel SPL100 Keyboard Stand$ 24.95, Behringer MX882 Ultralink Pro 8-Channel Splitter/Mixer$ 99.99, Proel SPL250 Keyboard/Mixer Stand$ 49.95,
SPL a new miking and mixing system for 5.1 recordings
At Musikmesse Frankfurt SPL will exhibit the AREA 5.1, a new miking and mixing system for 5.1 recordings. The AREA 5.1 was streamlined with the experiences of the ATMOS 5.1 in mind to accommodate the primary features in an affordable system that puts everybody in state to start 5.1 recordings. The AREA 5.1 also allows to simultaneously record in 5.1 and stereo. The range of applications spans from TV- and movie productions, live recordings of concerts and shows to the miking of drums, piano, choirs or virtually any sound for 5.1 audio productions.
The AREA 5.1 includes five high precision mic preamp which can be coupled with a motorized controls. Each preamp delivers up to 70 dB of preamplifiaction gain. Other functions are padding, phase reversal and phantom power as well as a stereo downmix section that enables a user to record both 5.1 and stereo at the same time. The Sub/LFE channel creates the sub signal from a selection of front, surround and center microphone signals.
As accessories SPL offers a mic array in the typical INA5 set-up which can hold any microphone and a multicore with a length of up to 500ft.
can the area 5.1 be compared....... by Red
In quality of sound recorded with its more costly big brother the Atmos 5. 1. . . . . . . . . . . Have SPL discontinued the Area 5. 1 cause it was getting the same quality end reult as the Atmos. . . . . . . . . And possibly cutting alot of there sales of the Atmos. . . . . . . . . . . The reason I ask this is that I thinking of doing all my future recording in 5. 1 Format . . . . . . For Audio listening purpose. . . . . . Not movies or games. . . . . . . . . . Is this smart forward thinking or is my creative mind leading me astray.
I am a Dub music producer. . . . . And want to know if these 5. 1 recording tools can enhance the vinyl LPs and cds I make. . . . . . . . Or will the possible crazy sound effects caused by wildly experementing with the mic set up. . . . . . . . . Be limited to makers of movies and games in 5. 1 format. . . . . . . . . . . Can the 5. 1 mike set up improve the listening experience for people listening to music on there walkman or stereo. . . . . . . Or only audiphiles listening through a 5. 1 amp and speaker surround enviroment. . . . . . . . . . . . Is there a market for 5. 1 audio recordings????? please enlighten me!!!!! |
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