| CRMAV | LiveSoundPASystems | RecordingMixingMastering | DJmusicEquipment | DigitalPianosKeyboards | SingingSongwriting | MusiciansNews | GuitarsMusicGear | BassMusicGear | DrumsMusicGear | GuitarSheetMusicTabs |
 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Gear Speaker Audio PC Soundcard Mac Software Books Mixer MIDI Keyboards Recording Effects Music Software Microphones USB Microphones Wireless Turntables Effects DVD Video PA | |||||||||||||||||||||||||||||||||||||||||||||
| Manufacturers | Behringer Peavey Yamaha Samson Digitech sE Electronics Focusrite Roland Digidesign Korg Alesis Shure Boss Mackie Akai M-Audio Vestax SKB AKG CBI Nady Fostex Apple Numark Stanton Pioneer Novation Tascam Steinberg Edirol Rode Audio Technica | ||||||||||||||||||||||||||||||||||||||||||||
| Recording | Mixing | Mastering | Editing | Songwriting | Sequencing | Post Production | Surround | Live Sound | Trade Shows | Forums | Musician Search | Sitemap | |||||||||||||||||||||||||||||||||
|
Mackie B328 Recording/PA Console 32x8x2
The 8-Bus series was designed to eliminate the last barrier between you and audio creativity -- the 32 8 and 24 8 are capable of sound quality equal to or better than that of $100,000 consoles. 8-Bus consoles have recorded more platinum albums and major motion picture soundtracks than any other mixer in their class -- they set the standard for affordable 8-bus consoles. Excellent for project studios and digital multi-track recording, when combined with digital multitrack or hard disk recording systems, a Mackie 8 Bus console can create not just major label CDs, but major motion picture soundtracks and network quality commercials. B328 Recording/PA Console Features• include low-noise/high-headroom mic preamps on every channel, as well as channel inserts and direct outs. In the channel strip you'll find Mackie's truly musical EQ -- with Hi and Lo shelving EQ, parametric Hi-Mid, and sweepable Low-Mid EQ -- as well as their Low Cut Filter, which allows you to eliminate mic thumps and room rumble from your mix, and use your EQ for music and vocals.• With Mix B, "in-line monitoring" is a breeze. Six aux sends and 6 aux returns allow you to use all the effects you want. And the 8 Bus's complete talkback and phones level controls make communicating with the talent a snap. There's much more: • When you get right down to it, the 8-Bus Series of recording consoles is a value at many times the price. The fact that artists and producers of every shape and size have sworn by them means when you buy an 8-Bus you'll be in good company. • Loads of outputs for easy multitracking • Mackie's premium mic preamps on every channel (with phantom power for use with condenser mics) • 100mm log-taper faders for consistently smooth fades • EQ: Full parametric Hi-Mid with separate band center and "Q" controls, swept Lo-Mid, and Hi & Lo shelving EQ • Low Cut Filter (18dB/oct @ 75Hz) on every channel • 6 stereo (2 assignable) aux returns • Extensive routing capabilities • Technical Description • Noise • Measured 20Hz to 20kHz bandwidth Tape Returns selected, no EQ, Channel Pans alternating L/R, L/R. "Faders up" refers to Unity gain, 0dBu position. • Output Noise: Main L/R or Submaster • • Total Harmonic Distortion • 1kHz @ + 14dBu measured 20Hz-20kHz, mic input, 1 channel assigned • Direct output: 0.0013% typical • L/R Mix output: 0.0014% typical • Submaster output: 0.0015% typical • Crosstalk • 1kHz measured relative to 0dBu, measured 20Hz to 20kHz. • Line In to Adjacent Channel: -91dBu • Channel Fader down: L/R Mix: -95dBu Submaster Output: -96dBu • Channel muted L/R Mix Output: -95dBu Submaster Output: -96dBu • Channel un-assigned L/R Mix Output: -91dBu Submaster Output: -95dBu • Adjacent Channel assigned L/R Mix Output: -92dBu Submaster Output: -94dBu • Panpot attenuation L/R Mix Output: -87dBu Submaster Output: -87dBu • Frequency Response • 20Hz to 60kHz, any input to any output: +0/-1dB • 10Hz to 120kHz, any input to any output: +0dB/-3dB • E.I.N. • Mic input, 150-ohm termination, 20Hz-20kHz: 129.5dBm • Mic input, shorted, 20Hz-20kHz: -136dBV • C.M.R.R. • Mic input, max gain, 1kHz: 83dB • Maximum Levels • Mic input: +14dBu • All other inputs: +22dBu • L/R Mix balanced output: +28dBu • All other outputs: +22dBu • Impedances • Microphone input: 1.5 kohms • Channel insert return: 2.5 kohms • All other inputs: 10 kohms or greater • All outputs: 120 ohms • Equalization • Hi-Mid (full parametric (Q) variable from 1/12 to 3 oct.): 500Hz-18kHz ±15dB • Lo Mid (swept): 45Hz-3kHz ±15dB • Hi (shelving): 12kHz ±15dB • Lo (shelving): 80Hz ±15dB • Lo Cut (HP filter): 75Hz 18dB/oct. slope (Tchebechev) • Console Dimensions (H x W x D) • 4.78 x 45.82 x 28.75 in. • 8 Bus Power Supply: • Power Consumption: 400 watts • Output • +18V: 3.5A • -18V: 3.5A • +48V: 250MA • +12V: 1.5A • +5V: 3A • Weight • 24 lbs., not including power cable. • Power Supply Dimensions (H x W x D) • 3.35 x 19.00 x 10.08 in. (85 x 483 x 256mm)
|
Mackie Mackie B328 Recording/PA Console • Mackie • Add Comment or Question • Write a review!
| |||||||||||||||||||||||||||||||||||||||||||
Europe Gear Shop
| [Contact] [©1999-2008 CRMAV.com All rights reserved] [Advertising] |