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Behringer AES808 8-Channel AES EBU Interface for DDX3216 $ 149.95
Roland AE7000 8 Channel AES/EBU Interface $ 399.95
Mackie PDI8 8 Channel AES EBU Digital Input Output Card $ 299.95
Tascam IFAE24 24 channel AES/EBU Digital Input and Output $ 849.95
Alesis AI4 8-Channel AES EBU to Optical Interface $ 399.95
Yamaha MY16AE 16-Channel Digital AES/EBU Card $ 419.95
Tascam IFAEDM 8-Channel Digital AES EBU Expansion Module $ 239.95
Yamaha MY8AE96S 8-Channel AES/EBU Card with SRC $ 449.95
Yamaha MY8AE96 8x8 AES/EBU Digital Card for 01V96 $ 299.95
Lynx Studio Technology Lynx StudioTechnology AES 16 24/192 AES/EBU PCI Ca $ 699.95

Studer shows OnAir 2500 Digital Mixing Console Mixer at AES

Studer’s new OnAir 2500 digital all-in-one Radio on-air console utilises the well-established software technology derived from the highly acclaimed OnAir 3000 console to deliver a new standard in ease-of-use for Radio Broadcast.

The Studer OnAir 2500 is a totally self-contained system and builds upon the operational concepts of its successful predecessor, the OnAir 2000. With the OnAir 2500, the control surface, I/O breakout, DSP Core and power supply are all integrated within a single compact chassis.

The Fader strips include a graphical OLED (Organic LED) screen, which contains a channel label, level and gain reduction meter and parameter readouts, adjustable via a rotary encoder and two push buttons below the display. OLED screens have a much wider viewing angle than LCDs, and have much higher definition, so operators can immediately see information much more clearly.

The large TFT colour touch screen uses Studer’s patented Touch’n’Action system, where only the most important functions have hardware control elements in the channel strip making the operation of the console very simple and stress-free.

The touch screen can also display all the relevant settings and configurations for each channel in addition to the OLED displays. A simple touch on one of the 8 small channel pushbuttons, e.g. equaliser, dynamics, AUX send, immediately opens the corresponding page on the main screen, allowing quick and easy adjustment.

The most important functions are just one finger stroke away, accessible virtually instantly – vital in a hectic, live on-air situation. The user interface is designed in the same symbolic language as the highly-regarded Vistonics system, and adjusted in a very flat hierarchy
without the use of multi-level menus.

The OnAir 2500 provides the user with a large number of inputs and outputs in many standard signal formats. As well as interfaces on XLR and SUB-D outlets (microphone inputs, headphone outputs, Line and AES I/Os), the internal audio system also offers interfaces to digital multichannel formats such as MADI, ADAT and IEEE-1394 Firewire.

Three standard configurations with 12, 18 and 24 faders are available, with motorised channel faders available as an option.

Large illuminated pushbuttons allow access to the main channel functions, editable via the 12” colour TFT touch screens.

Integration with Studer’s Call Management System (CMS) is seamless, allowing caller names to be dynamically displayed as fader channel labels, while further integration of radio automation systems is easily accomplished using the Monitora protocol via serial interface or TCP/IP.

The OnAir 2500 can also support I/O Sharing via Studer’s proprietary networked technology, allowing the OnAir 2500 to share signals with other Studer devices.

For such a compact package, the Studer OnAir 2500 offers unrivalled flexibility and operational ease.

SSL AWS 948 Mixer for BASTO's The Blue Room Studio
When composer/producer Jef Martens (aka Basto) went looking for the ultimate upgrade for The Blue Room, his private studio in Belgium, Solid State Logic’s AWS 948 was the console of choice. For Marten

Singing Phenomenon Adele tour with iLive Digital Mixing System
British singing phenomenon, Adele, has just completed a tour of Europe and is currently on tour in America with an Allen & Heath iLive digital mixing system managing both FOH and monitor sound. Reques

IK T-RackS mixing plugins Black76, White2A
IK Multimedia announced the release of two new T-RackS mixing plug-ins that are modeled on two of of the world’s most renowned analog compressors: the Black 76 Limiting Amplifier and the White 2A Leve

SPL NEOS First 120V Mixer, 125 dB dynamic range
SPL has grown a reputation as a manufacturer of quality preamps, signal processors and controllers for the recording and mixing segments. At the same time, the German manufacturer has also made itself

Midas PRO Digital Mixers Handle White Noise
One of the most talked-about theater productions in recent years has been White Noise, now playing at Chicago’s Royal George Theater. This controversial Whoopi Goldberg-produced musical examines the m

Richard Earnshaw installs Solid State Logic X-Desk Mixer
Solid State Logic, the world’s leading manufacturer of analogue and digital audio consoles, is pleased to announce that Richard Earnshaw has installed a Solid State Logic X-Desk at the heart of his st

Allen & Heath iPad MixPad App for iLive Digital Mixers over Wifi
Since its release in 2010, Apple’s iPad has seen a variety of handy uses in many different worlds, even the A/V industry. In early 2011, Allen & Heath launched their contribution to the iPad world, th

Celemony Software CAPSTAN removes wow flutter for reMixing and reMastering Projects
Celemony Software presented a new music restoration program at the AES in London. Capstan removes wow and flutter from musical material of all kinds and commends itself therefore to professional resto

New PreSonus StudioLive 16.0.2 Digital Recording and Live Mixer
The StudioLive family is growing and has a new addition.First there was the StudioLive 16.4.2 and big sibling StudioLive 24.4.2. Now meet Junior: the new StudioLive 16.0.2 [a:Digital Mixer] for record

Phonic major upgrade for Summit Digital Mixer
Phonic released a major upgrade for the Phonic Digital Mixer. The new firmware for the Summit offers important touch screen response acceleration, improved total harmonic distortion across all samplin

Buy OnAir, AES Online

OnAirAESBehringer AES808 8-Channel AES EBU Interface for DDX3216 $ 149.95

The AES/EBU interface complies with the AES3 format and allows for 2-channel auto-clock/auto-sync transmission with a resolution of up to 24 bits over extreme cable lengths. The AES808 offers fourRoland AE7000 8 Channel AES/EBU Interface $ 399.95

The AE-7000 converts signals between R-BUS and AES/EBU for up to eight channels of simultaneous digital I/O in a 1U rackmount box. This interface is the perfect solution for V-Mixer owners who wisMackie PDI8 8 Channel AES EBU Digital Input Output Card $ 299.95

AES/EBU I/O card for HDR2496 and D8B digital console. Tascam IFAE24 24 channel AES/EBU Digital Input and Output $ 849.95

To get the most out of your MX2424 get this AES/EBU Digital Input and Output expansion. Alesis AI4 8-Channel AES EBU to Optical Interface $ 399.95

This new digital audio interface converter is capable of converting AES/EBU and ADAT Optical data streams at sample rates of 44.1kHz to 96kHz. The AI-4 is a 1U rackmountable complement for ADAT owYamaha MY16AE 16-Channel Digital AES/EBU Card $ 419.95

16-Channel Multi-Format I/O via a Single Slot
The MY16AE Mini-YGDAI Digital I/O card can be used with Yamaha's DM2000, 02R96, DM1000 and future digital consoles to provide up to 16 channels ofTascam IFAEDM 8-Channel Digital AES EBU Expansion Module $ 239.95

The IF-AE/DM 8-channel AES/EBU I/O option upgrades the Tascam DM24 Digital Mixer and SX1 Digital Production Environment. Yamaha MY8AE96S 8-Channel AES/EBU Card with SRC $ 449.95

This 8-channel AES/EBU digital format I/O with sample rate conversion features a 25-pin D-sub connector and supports sample rates of up to 96 kHz. Yamaha MY8AE96 8x8 AES/EBU Digital Card for 01V96 $ 299.95

This 8-channel AES/EBU digital format I/O features a 25-pin D-sub connector and supports sample rates of up to 96 kHz. Lynx Studio Technology Lynx StudioTechnology AES 16 24/192 AES/EBU PCI Ca $ 699.95

Offering a solution for jitter problems in AES signals, the AES16 incorporates a new Lynx technology called SynchroLock™ that provides extreme jitter tolerance at all inputs. By coupling statistic

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