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Behringer AES808 8-Channel AES EBU Interface for DDX3216 $ 149.95
Roland AE7000 8 Channel AES/EBU Interface $ 399.95
Mackie PDI8 8 Channel AES EBU Digital Input Output Card $ 299.95
Tascam IFAE24 24 channel AES/EBU Digital Input and Output $ 849.95
Alesis AI4 8-Channel AES EBU to Optical Interface $ 399.95
Yamaha MY16AE 16-Channel Digital AES/EBU Card $ 419.95
Tascam IFAEDM 8-Channel Digital AES EBU Expansion Module $ 239.95
Yamaha MY8AE96S 8-Channel AES/EBU Card with SRC $ 449.95
Yamaha MY8AE96 8x8 AES/EBU Digital Card for 01V96 $ 299.95
Lynx Studio Technology Lynx StudioTechnology AES 16 24/192 AES/EBU PCI Ca $ 699.95

Studer shows OnAir 2500 Digital Mixing Console Mixer at AES

Studer’s new OnAir 2500 digital all-in-one Radio on-air console utilises the well-established software technology derived from the highly acclaimed OnAir 3000 console to deliver a new standard in ease-of-use for Radio Broadcast.

The Studer OnAir 2500 is a totally self-contained system and builds upon the operational concepts of its successful predecessor, the OnAir 2000. With the OnAir 2500, the control surface, I/O breakout, DSP Core and power supply are all integrated within a single compact chassis.

The Fader strips include a graphical OLED (Organic LED) screen, which contains a channel label, level and gain reduction meter and parameter readouts, adjustable via a rotary encoder and two push buttons below the display. OLED screens have a much wider viewing angle than LCDs, and have much higher definition, so operators can immediately see information much more clearly.

The large TFT colour touch screen uses Studer’s patented Touch’n’Action system, where only the most important functions have hardware control elements in the channel strip making the operation of the console very simple and stress-free.

The touch screen can also display all the relevant settings and configurations for each channel in addition to the OLED displays. A simple touch on one of the 8 small channel pushbuttons, e.g. equaliser, dynamics, AUX send, immediately opens the corresponding page on the main screen, allowing quick and easy adjustment.

The most important functions are just one finger stroke away, accessible virtually instantly – vital in a hectic, live on-air situation. The user interface is designed in the same symbolic language as the highly-regarded Vistonics system, and adjusted in a very flat hierarchy
without the use of multi-level menus.

The OnAir 2500 provides the user with a large number of inputs and outputs in many standard signal formats. As well as interfaces on XLR and SUB-D outlets (microphone inputs, headphone outputs, Line and AES I/Os), the internal audio system also offers interfaces to digital multichannel formats such as MADI, ADAT and IEEE-1394 Firewire.

Three standard configurations with 12, 18 and 24 faders are available, with motorised channel faders available as an option.

Large illuminated pushbuttons allow access to the main channel functions, editable via the 12” colour TFT touch screens.

Integration with Studer’s Call Management System (CMS) is seamless, allowing caller names to be dynamically displayed as fader channel labels, while further integration of radio automation systems is easily accomplished using the Monitora protocol via serial interface or TCP/IP.

The OnAir 2500 can also support I/O Sharing via Studer’s proprietary networked technology, allowing the OnAir 2500 to share signals with other Studer devices.

For such a compact package, the Studer OnAir 2500 offers unrivalled flexibility and operational ease.

Edirol Europe VJ Challenge, V-8 Video Mixer for Mixing Live Video
EDIROL challenge Europe's best VJs to a live showcase at the London International Music Show with the best winning some EDIROL prizes.
EDIROL are throwing down the gauntlet to the continent's best

Stanton SC-System: SCS.1d deck and the SCS.1m mixer
The Stanton SC System is the company’s new set of digital controllers for the professional DJ. It is comprised of the SCS.1d deck and the SCS.1m mixer; both advanced control surfaces that give the dig

Thunder Audio adds Soundcraft Vi6 Digital Console Mixer
There's a big sound coming out of the "Motor City" these days, and it's emanating from the Detroit-area headquarters of Thunder Audio, which was first established in the late '70s by Owner Tony Villar

Best Producer Remixer 2007 D. Ramirez secret Focusrite LIQUID Mix
When you absolutely have to destroy the dancefloor, production legend D. Ramirez knows just what it takes: Liquid technology.
For D Ramirez, the awards just keep coming. Best Producer and Remixer o

D&M Holdings Buys Audio Mixer Manufacturer Allen & Heath
D&M Holdings Inc. (TSE 1:6735) announced today the completion of the acquisition of Allen & Heath Holdings Limited of Penryn, Cornwall, England, a leading designer and manufacturer of audio mixing con

Allen & Heath's new XONE S2 club mixer at the L'Escale club
French design consultants, AXYS, recently installed Allen & Heath's new Xone:S2 club mixer at the L'Escale club, located on a barge at Louvecienne on the banks of the river Seine.
The 4U rack mixe

Blues Guitarist Joe Bonamassa on tour iLive Digital Mixing System
US blues icon, Joe Bonamassa, is currently on the European leg of a world tour with a touring PA rig based around Allen & Heath’s iLive digital mixing system and a WZ312M compact dedicated monitor mix

Crown 135MA and 160MA Mixer-Amplifiers
Amidst the noisy strum and bang of the NAMM Show, Crown has quietly reconfirmed its commitment to the commercial audio market through the launch of its new, high-value 135MA and 160MA mixer-amplifiers

Noise Productions adds Allen & Heath iLive Digital Mixing System
Wellington-based New Zealand PA company, Noise Productions Ltd., has added an Allen & Heath iLive digital system to its hire stock, comprising an iDR10 stage rack loaded with 64 inputs and 32 outputs

Allen & Heath new iDR0 for iLive digital mixing system
Allen & Heath has added iDR0, a new processing unit, to its iLive digital mixing system, and has announced the release of V1.2, the new version of iLive system software.
The iDR0 is a 2U rack unit

Buy OnAir, AES Online

OnAirAESBehringer AES808 8-Channel AES EBU Interface for DDX3216 $ 149.95

The AES/EBU interface complies with the AES3 format and allows for 2-channel auto-clock/auto-sync transmission with a resolution of up to 24 bits over extreme cable lengths. The AES808 offers fourRoland AE7000 8 Channel AES/EBU Interface $ 399.95

The AE-7000 converts signals between R-BUS and AES/EBU for up to eight channels of simultaneous digital I/O in a 1U rackmount box. This interface is the perfect solution for V-Mixer owners who wisMackie PDI8 8 Channel AES EBU Digital Input Output Card $ 299.95

AES/EBU I/O card for HDR2496 and D8B digital console. Tascam IFAE24 24 channel AES/EBU Digital Input and Output $ 849.95

To get the most out of your MX2424 get this AES/EBU Digital Input and Output expansion. Alesis AI4 8-Channel AES EBU to Optical Interface $ 399.95

This new digital audio interface converter is capable of converting AES/EBU and ADAT Optical data streams at sample rates of 44.1kHz to 96kHz. The AI-4 is a 1U rackmountable complement for ADAT owYamaha MY16AE 16-Channel Digital AES/EBU Card $ 419.95

16-Channel Multi-Format I/O via a Single Slot
The MY16AE Mini-YGDAI Digital I/O card can be used with Yamaha's DM2000, 02R96, DM1000 and future digital consoles to provide up to 16 channels ofTascam IFAEDM 8-Channel Digital AES EBU Expansion Module $ 239.95

The IF-AE/DM 8-channel AES/EBU I/O option upgrades the Tascam DM24 Digital Mixer and SX1 Digital Production Environment. Yamaha MY8AE96S 8-Channel AES/EBU Card with SRC $ 449.95

This 8-channel AES/EBU digital format I/O with sample rate conversion features a 25-pin D-sub connector and supports sample rates of up to 96 kHz. Yamaha MY8AE96 8x8 AES/EBU Digital Card for 01V96 $ 299.95

This 8-channel AES/EBU digital format I/O features a 25-pin D-sub connector and supports sample rates of up to 96 kHz. Lynx Studio Technology Lynx StudioTechnology AES 16 24/192 AES/EBU PCI Ca $ 699.95

Offering a solution for jitter problems in AES signals, the AES16 incorporates a new Lynx technology called SynchroLock™ that provides extreme jitter tolerance at all inputs. By coupling statistic

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