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Behringer AES808 8-Channel AES EBU Interface for DDX3216 $ 149.95
Roland AE7000 8 Channel AES/EBU Interface $ 399.95
Mackie PDI8 8 Channel AES EBU Digital Input Output Card $ 299.95
Tascam IFAE24 24 channel AES/EBU Digital Input and Output $ 849.95
Alesis AI4 8-Channel AES EBU to Optical Interface $ 399.95
Yamaha MY16AE 16-Channel Digital AES/EBU Card $ 419.95
Tascam IFAEDM 8-Channel Digital AES EBU Expansion Module $ 239.95
Yamaha MY8AE96S 8-Channel AES/EBU Card with SRC $ 449.95
Yamaha MY8AE96 8x8 AES/EBU Digital Card for 01V96 $ 299.95
Lynx Studio Technology Lynx StudioTechnology AES 16 24/192 AES/EBU PCI Ca $ 699.95

Focusrite unveils the LIQUID4PRE Microphone Preamp at AES 2007

The 123rd AES show in New York provides a stage for the official worldwide unveiling of what prestigious signal-processing manufacturer Focusrite, consider to be 'the most flexible four channel pre-amp in history'.

Focusrite's new LIQUID4PRET four-channel microphone pre-amplifier utilizes The Liquid ChannelT's proven LiquidT technology, marrying a hugely flexible analogue front end with cutting-edge dynamic convolution DSP to deliver the sounds of 40 vintage and classic microphone pre-amplifiers across all four channels. Augmented by fully digital controls and remote software control over Ethernet, LIQUID4PRE provides the ultimate fluid multi-channel front-end.

99 Unit Setup Memories provide total recall of every parameter across all four channels, delivering instant multiple user presets and a comprehensive backup of session settings. These memories can be managed either via the hardware, or via LIQUID4PRE's dedicated control software, LIQUID4CONTROLT. This intuitive software application places comprehensive pre-amp control inside the DAW. Communication between LIQUID4PRE and the DAW flows via Ethernet, with LIQUID4CONTROL providing comprehensive management of multiple LIQUID4PREs. A similar Pro Tools TDM/RTAS plug-in allows integrated remote control via Pro Tools hardware and software, including Icon and Venue systems, providing all the benefits of a Pro Tools TDM/RTAS plug-in, such as comprehensive automation and session integration.

The unique 'Harmonics' and 'Session Saver' features from The Liquid Channel are also provided across all four LIQUID4PRE channels. The adjustable harmonic distortion circuit accounts for variance in the vintage originals, but can also be used creatively to vary the sound of each pre-amp. Session saver is a unique automatic gain control circuit that intelligently reduces the input level to help avoid critical overs. Each channel also features a classic Focusrite high- pass filter, phantom power and phase reverse, available directly from the front fascia independently for every channel. These controls sit alongside the four large information display screens which, as well as providing in-depth information of settings, also display huge digital VU meters, providing accurate, responsive and easy-to-read metering. A further feature essential for the LIVE sound arena is 'Operator Lock', which guarantees secure use in public arenas by locking the front panel controls to help avoid any unwanted alteration of pre-amps settings, including gain.

AES and ADAT(TM) optical digital inputs and outputs are provided as standard to integrate with a variety of digital i/o setups. However, an optional EtherSound eight-channel card is also available, providing effective connectivity for large studios, post production installs and live sound engineers using EtherSound. Multiple unit set- ups are easily configured for remote control via LIQUID4CONTROL utilising an Ethernet hub. With a third 'Slave' ADAT input, audio from two LIQUID4PREs can be routed directly to a single optional EtherSound card, or at 48kHz, all eight channels can be routed to a single ADAT light-pipe output.

Finally, the Focusrite site features its own dedicated online emulations library, 'Liquid Assets', which continues to be updated with additional vintage emulations, available to the worldwide liquid community as free downloads.

Focusrite LIQUID MIX, new 2.0 Software
Focusrite announced that the award-winning multi- channel DSP- based EQ and Compression tool, Liquid Mix, has now stepped up a gear with the release of brand new version 2.0 software, available as a f

Focusrite and Novation help create the most ReMOTE studio on the planet
After Jamiroquai's recent sky-high antics with Focusrite gear it's time for both Focusrite and Novation to take the ultimate recording journey: to a studio in the Antarctica!
When British Antarctic

Focusrite Saffire PRO for Recording Jamiroquai
Jamiroquai recently broke several world records when they performed a gig on a plane to Greece. Sound engineer Rick Pope chose a Focusrite Saffire PRO to record this most unusual and historic of perfo

Jamiroquai and Focusrite Saffire PRO Break World Records
Jamiroquai recently broke several world records when they performed a gig on a plane to Greece. Sound engineer Rick Pope chose a Focusrite Saffire PRO to record this most unusual and historic of perfo

Focusrite LIQUID Mix V2 Software, EQ side-chain on Compressor
Musik Messe sees the release of Liquid Mix V2.0, a new software release for Liquid Mix, Focusrite's DSP-powered dynamic convolution mix solution, delivering 32 channels of EQ and Compression simultane

Focusrite Vocal confessions from the Madonna tour
More than anything else, the recent Madonna tour was a triumph of technology, with a host of computers behind the scenes controlling everything from lighting to music. But one piece of essential techn

Focusrite Liquid Mix Software for PC Pro Tools 7.0 and above
The most eagerly-awaited Focusrite software release is now available for PC users worldwide: Liquid Mix for Windows XP.
Liquid Mix v1.5 features software solutions for PC and all Macs, including In

Saville mix old and new styles in Jazz with Focusrite LIQUID for Recording
Saville mix old and new styles in their jazz-tinged music, but when it comes to their bespoke studio they only work with the best and the newest equipment. They have a list of Focusrite gear installed

Tom Marshall Focusrite LIQUID for PJ Harvey Live Sound
Tom Marshall is a FOH engineer who splits his time between mixing West End shows and touring with the likes of PJ Harvey. With every tour he’s always been accompanied by at least one Focusrite product

Inventor of Acid House Marshall Jefferson raves about Focusrite LIQUID Mix
With his abuse of the Roland TB-303 Marshall Jefferson invented Acid House music and started a new revolution in music. Still at the cutting edge, Marshall’s set-up is now a laptop and Focusrite Liqui

Buy LIQUID4PRE, AES Online

LIQUID4PREAESBehringer AES808 8-Channel AES EBU Interface for DDX3216 $ 149.95

The AES/EBU interface complies with the AES3 format and allows for 2-channel auto-clock/auto-sync transmission with a resolution of up to 24 bits over extreme cable lengths. The AES808 offers fourRoland AE7000 8 Channel AES/EBU Interface $ 399.95

The AE-7000 converts signals between R-BUS and AES/EBU for up to eight channels of simultaneous digital I/O in a 1U rackmount box. This interface is the perfect solution for V-Mixer owners who wisMackie PDI8 8 Channel AES EBU Digital Input Output Card $ 299.95

AES/EBU I/O card for HDR2496 and D8B digital console. Tascam IFAE24 24 channel AES/EBU Digital Input and Output $ 849.95

To get the most out of your MX2424 get this AES/EBU Digital Input and Output expansion. Alesis AI4 8-Channel AES EBU to Optical Interface $ 399.95

This new digital audio interface converter is capable of converting AES/EBU and ADAT Optical data streams at sample rates of 44.1kHz to 96kHz. The AI-4 is a 1U rackmountable complement for ADAT owYamaha MY16AE 16-Channel Digital AES/EBU Card $ 419.95

16-Channel Multi-Format I/O via a Single Slot
The MY16AE Mini-YGDAI Digital I/O card can be used with Yamaha's DM2000, 02R96, DM1000 and future digital consoles to provide up to 16 channels ofTascam IFAEDM 8-Channel Digital AES EBU Expansion Module $ 239.95

The IF-AE/DM 8-channel AES/EBU I/O option upgrades the Tascam DM24 Digital Mixer and SX1 Digital Production Environment. Yamaha MY8AE96S 8-Channel AES/EBU Card with SRC $ 449.95

This 8-channel AES/EBU digital format I/O with sample rate conversion features a 25-pin D-sub connector and supports sample rates of up to 96 kHz. Yamaha MY8AE96 8x8 AES/EBU Digital Card for 01V96 $ 299.95

This 8-channel AES/EBU digital format I/O features a 25-pin D-sub connector and supports sample rates of up to 96 kHz. Lynx Studio Technology Lynx StudioTechnology AES 16 24/192 AES/EBU PCI Ca $ 699.95

Offering a solution for jitter problems in AES signals, the AES16 incorporates a new Lynx technology called SynchroLock™ that provides extreme jitter tolerance at all inputs. By coupling statistic

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